Marcus Garvey, in full Marcus Moziah Garvey (b. August 17, 1887, St. Ann’s Bay, Jamaica —d. June 10, 1940, London, England), was a charismatic African Jamaican leader who organized the first important American black nationalist movement (1919–26), based in New York City’s Harlem.
Largely self-taught, Garvey attended school in Jamaica until he was 14. After traveling in Central America and living in London from 1912 to 1914, he returned to Jamaica, where, with a group of friends, he founded, on August 1, 1914, the Universal Negro Improvement and Conservation Association and African Communities League, usually called the Universal Negro Improvement Association (UNIA), which sought, among other things, to build in Africa a black-governed nation.
Failing to attract a following in Jamaica, Garvey went to the United States in 1916 and soon established branches of the UNIA in Harlem and the other principal urban areas of the North. By 1919, the rising “Black Moses” claimed a following of about 2,000,000, although the exact number of association members was never clear. From the platform of the Association’s Liberty Hall in Harlem, Garvey spoke of a “new Negro,” proud of being black. His newspaper, Negro World, told of the exploits of heroes of the race and of the splendors of African culture. Garvey taught that blacks would be respected only when they were economically strong, and he preached an independent black economy within the framework of white capitalism. To forward these ends, he established the Negro Factories Corporation and the Black Star Line (1919), as well as a chain of restaurants and grocery stores, laundries, a hotel, and a printing press.
Garvey reached the height of his power in 1920, when he presided at an international convention in Liberty Hall, with delegates present from 25 countries. The affair was climaxed by a parade of 50,000 through the streets of Harlem, led by Garvey in flamboyant array. His slipshod business methods, however, and his doctrine of racial purity and separatism (he even approved of the white racist Ku Klux Klan because it sought to separate the races) brought him bitter enemies among established African American leaders, including labor leader A. Philip Randolph and W. E. B. Du Bois, head of the National Association for the Advancement of Colored People (NAACP). Garvey’s influence declined rapidly when he and other UNIA members were indicted for mail fraud in 1922 in connection with the sale of stock for the Black Star Line. He served two years of a five-year prison term, but in 1927 his sentence was commuted by President Calvin Coolidge, and he was deported as an undesirable alien. He was never able to revive the movement abroad, and he died in virtual obscurity.
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Papa Charlie Jackson (November 10, 1887 – May 7, 1938) was an early American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his life remains a mystery, but his draft card lists his birthplace as New Orleans, Louisiana, and his death certificate states that he died in Chicago, Illinois on May 7, 1938.
Born William Henry Jackson, he originally performed in minstrel and medicine shows. From the early 1920s into the 1930s, Jackson played frequent club dates in Chicago, and was noted for busking at Chicago's Maxwell Street Market. In August 1924, he recorded the commercially-successful "Airy Man Blues" and "Papa's Lawdy Lawdy Blues" for Paramount Records. One of his following tracks, "Salty Dog Blues", became his most famous song. Among his recordings are several in which he accompanied classic female blues singers singers such as Ida Cox, Hattie McDaniel, and Ma Rainey.
Jackson achieved a musical peak of sorts in September of 1929 when he got to record with his longtime idol, Blind (Arthur) Blake, often known as the king of ragtime guitar during this period. 'Papa Charlie and Blind Blake Talk About It' parts one and two are among the most unusual sides of the late '20s, containing elements of blues jam session, hokum recording, and ragtime. A few more recordings for the Paramount label followed in 1929 and 1930. In 1934, Jackson recorded for Okeh Records, and the following year he recorded with Big Bill Broonzy. Altogether, Jackson recorded 66 sides during his career.
Jackson was an influential figure in blues music, the first self-accompanied blues musician to make records. He was one of the first musicians of the "Hokum" genre, which uses comic, often sexually suggestive lyrics and lively, danceable rhythms. He wrote or was the first to record several songs that became blues standards, including "Spoonful" and "Salty Dog".
Jackson's "Shake That Thing" was covered by Mother McCree's Uptown Jug Champions in 1964. "Loan Me Your Heart" appeared on The Wildparty Sheiks eponymous album in 2002. The Carolina Chocolate Drops recorded "Your Baby Ain't Sweet Like Mine" on their Grammy Award winning 2010 album, Genuine Negro Jig, and often played the song in interviews after its release.
In 1973, Jackson's song "Shake That Thing" was briefly featured in the Sanford and Son episode, "The Blind Mellow Jelly Collection". Fred Sanford, played by Redd Foxx, could be seen dancing and singing to it at the beginning of the episode.
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