A00033 - Eugene Chen, Sun Yat Sen's Foreign Minister

Eugene Chen (Chinese: 陳友仁; pinyin: Chén Yǒurén) (July 2, 1878, San Fernando, Trinidad – May 20,1944, Shanghai, China), known in his youth as Eugene Bernard Achan, was a non-native (an overseas) Chinese lawyer who in the 1920s became Sun Yat Sen's foreign minister known for his success in promoting Sun's anti-imperialist foreign policies and for successfully negotiating the Chen-O'Malley Agreement that returned the City of Hankow to Chinese governance.

Chen's father, Chen Guangquan, was known as Joseph Chen or Achan. He is of Hakka ancestry from Meizhou district (present Meixing). After taking part in the Taiping Rebellion against the Manchu dynasty, he fled to the French West Indies where he met his wife, Mary Longchallon (Marie Leong), the mixed race daughter of a Chinese immigrant. Chen, as well as the Longchallon family, had been required by the French authorities to accept the Catholic faith as a condition of immigration.

Eugene was the oldest of Chen Guangquan and Mary Longchallon's three sons. Eugene's wife Aisy was of African and French blood.

After attending Catholic schools (including St. Mary's College in Port-of-Spain) in Trinidad, Chen qualified as a barrister and became known as one of the most highly skilled solicitors in the islands. Eugene Chen built a large law practice in Trinidad, with many Chinese and Indian clients. 

The Chen family did not speak Chinese at home; and, since there were no Chinese schools, Eugene never learned to read Chinese. It was later said of him that his library was filled with Dickens, Shakespeare, Scott, and legal books, that he "spoke English as a scholar" and "except for his color, neither his living nor his habits were Chinese".

After being admitted to the London Bar Association and after practicing law for a few years, Eugene married Agatha Alphonsin Ganteaume, a Creole, despite the "ironic" objections of his family.  By accounts, Agatha was fun and mischievous and terrorized the nuns at St. Joseph's Convent, where she attended school.  Eugene and Agatha would have four children who survived infancy: Percy, Sylvia, Yolanda and Jack. All of the Chen children were accomplished.

After experiencing some financial difficulties, Chen eventually left the island to live in London, where he heard Sun Yat-sen speak at a rally against the Manchu government in China. Sun persuaded Chen to come to China and contribute his legal knowledge to the new Republic in 1912. Chen took the Trans-Siberian Railroad, and shared the journey with Wu Lien-te, a physician born in Malaysia. Learning that Chen had no Chinese name, Wu suggested "Youren" as the equivalent of "Eugene".

After Sun was forced to flee to Japan in 1913, Chen remained in Peking (Beijing), where he began a second career in journalism. Chen edited the bi-lingual Peking Gazette 1915-1917, then founded the Shanghai Gazette, the first of what Chen envisioned as a network of newspapers across China. Chen had given up his initial support for Yuan Shikai, the general who would be emperor, and became a strong critic of the government, accusing it of "selling China." In 1918, Chen joined Sun in Canton to support the southern government, which he helped to represent at the Paris Peace Conference, where he resisted Japanese and British plans for China. In 1922, Chen became Sun's closest adviser on foreign affairs, and developed a leftist stance of anti-imperialist nationalism and support of Sun's alliance with the Soviet Union.

Chen's diplomacy led one historian to call him "arguably China's most important diplomat of the 1920s and instrumental in the rights recovery movement." Chen welcomed Sun's alliance with the Soviet Union, and worked harmoniously with Michael Borodin, the chief Soviet advisor in the reorganization of the Nationalist Party at Canton. After Sun's death in 1925, Chen was elected to the Central Executive Committee and appointed Foreign Minister. Over the next two years, Chen lodged vigorous and articulate protests over continued imperialist policies with the American and British governments, as well as negotiating with the British authorities over the massive labor strikes in Hong Kong. When Chiang Kai-shek's Northern Expedition appeared on the verge of unifying the country, Chen joined the rival Nationalist government at Wuhan. In January 1927, the Nationalists at Wuhan forcibly took control over the foreign concession there, and when violent crowds also took the foreign concession at Kiukiang, foreign warships gathered at Shanghai. Chen's negotiations with the British led to confirmation of Chinese control of the two concessions and this success was hailed as the start of a new revolutionary foreign policy.

The apex of Chen’s diplomatic career came after he became the foreign minister of the Wuhan Government. He was mostly remembered for his contribution in recovering the sovereignty of the Hankow and Jiujiang British Concession in 1927, which was quite a feat considering China’s weak position at the international stage at the time.

The successful recovery, to a large extent, was achieved through a clever ruse by Chen. As a lawyer, Chen knew well that according to the British law, when the property is completely abandoned, the Chinese government has the right to take it back. To that end, he advised to the British who came to him for help fearing for their safety, that they should retreat to their warships on the Yangtze River where they could be protected by the British Navy. So the British left, leaving only the Indian police at the concession who were then invited for drinks and lured away.

The British Government reacted by sending the Indian Fleet to the China Sea, which Eugene had known all along by collecting garbage from the British Consulate and piecing together cables that were sent to London. He knew that the ships would come at the low season which meant they could not come up the river. In the end, the British government was forced to concede and return the sovereignty of the concession back to the Chinese.

The situation soon reversed. The foreign powers retaliated for the deadly xenophobic attacks on foreigners by elements of the National Revolutionary Army in Nanking, and Chiang Kai-shek launched White Terror attacks on leftists in Shanghai. Chen sent Borodin, his sons Percy Chen and Jack Chen, and the American leftist journalist Anna Louise Strong in an automotive convoy across Central Asia to Moscow. Chen, his daughters Si-lan and Yolanda, Madame. Sun Yat-sen, and the American journalist Rayna Prohme traveled from Shanghai to Vladivostok, and once again by Trans-Siberian Railway to Moscow.

Life in Moscow was not easy, however. After an initial warm public reception, Stalin showed little tolerance for living symbols of the Soviet failure in China. Chen and Mme. Sun were frustrated in their attempts to establish a leftist Chinese front, and soon left Moscow. After a period of exile in Europe and brief service with governments in China which challenged the Nanking government, Chen was finally expelled from the Guomindang for serving as Foreign Minister in the Fukien Rebellion of 1934. Chen again took refuge in Europe, but returned to Hong Kong after the outbreak of the war with Japan. Chen was taken to Shanghai in the spring of 1942 in hopes of persuading him to support the Japanese puppet government, but he remained loudly critical of that "pack of liars" until his death in May, 1944, at the age of 66.

In 1899, Chen married Agatha Alphosin Ganteaume (1878–1926), known as Aisy, a French Creole whose father owned one of the largest estates in Trinidad. They had eight children, four of whom survived childhood: Percy (1901-1986), a lawyer, worked with his father for many years; (Sylvia) Si-lan (1905-1996), an internationally known dancer, married the American film historian Jay Leyda; Yolanda (1913- ); and Jack (1908-1995), who made an international reputation as a journalistic cartoonist during the Sino-Japanese War, and who wrote A Year in Upper Felicity, an account of his experience in the countryside during the Cultural Revolution. In 1958, Jack married Chen Yuan-tsung. 

Aisy died of breast cancer in May 1926. Chen and Chang Li Ying (later known as Georgette Chen) were married in 1930 and remained together until Chen's death in 1944.

A00032 - Bessie Smith, Empress of the Blues

Bessie Smith, in full Elizabeth Smith   (b. April 15, 1894 (1898?), Chattanooga, Tennessee —d. September 26, 1937, Clarksdale, Mississippi) was an American singer and one of the greatest of blues vocalists.
Smith grew up in poverty and obscurity. She may have made a first public appearance at the age of eight or nine at the Ivory Theatre in her hometown. About 1919 she was discovered by Gertrude "Ma" Rainey, one of the first of the great blues singers, from whom she received some training. For several years Smith traveled through the South singing in tent shows and bars and theaters in small towns and in such cities as Birmingham, Alabama; Memphis, Tennessee; and Atlanta and Savannah, Georgia. After 1920 she made her home in Philadelphia, and it was there that she was first heard by Clarence Williams, a representative of Columbia Records. In February 1923 she made her first recordings, including the classic “Down Hearted Blues,” which became an enormous success, selling more than two million copies. She made 160 recordings in all, in many of which she was accompanied by some of the great jazz musicians of the time, including Fletcher Henderson, Benny Goodman, and Louis Armstrong.

Bessie Smith’s subject matter was the classic material of the blues: poverty and oppression, love—betrayed or unrequited—and stoic acceptance of defeat at the hands of a cruel and indifferent world. The great tragedy of her career was that she outlived the topicality of her idiom. In the late 1920s her record sales and her fame diminished as social forces changed the face of popular music and passed over the earthy realism of the sentiments she expressed in her music. Her gradually increasing alcoholism caused managements to become wary of engaging her, but there is no evidence that her actual singing ability ever declined.

Known in her lifetime as the “Empress of the Blues,” Smith was a bold, supremely confident artist who often disdained the use of a microphone and whose art expressed the frustrations and hopes of a whole generation of African Americans. Her tall figure and upright stance, and above all her handsome features, are preserved in a short motion picture, St. Louis Blues (1929), banned for its realism and now preserved in the Museum of Modern Art, New York City. She died from injuries sustained in a road accident. It was said that, had she been white, she would have received earlier medical treatment, thus saving her life, and Edward Albee made this the subject of his play The Death of Bessie Smith (1960).

A00031 - Ada "Bricktop" Smith, Paris Noir Cabaret Queen

Ada "Bricktop" Smith (b. August 14,1894, Alderson, West Virginia - d. January 31, 1984 New York City, New York) was a vaudevillian, saloon entertainer, and nightclub owner whose clientele and friends included royalty, the wealthy, and the artistic elite.

Bricktop, born Ada Beatrice Queen Victoria Louisa Virginia Smith, was the third daughter and youngest of the five children of Thomas Smith, an African American barber, and Harriet ("Hattie") Elizabeth (Thompson) Smith. Her mother, seven-eighths white and of Irish descent, had been born a slave. Ada's lengthy name was an attempt to please many acquaintances. After her father died in 1898, the family moved to Chicago, where Hattie was a housekeeper and ran rooming houses. At the age of four or five, Ada made her stage debut in Uncle Tom's Cabin at the Haymarket Theatre in Chicago. She attended Keith public school and appeared in shows there. She also was fascinated with the saloons on State Street. When she was fourteen or fifteen, Ada joined the chorus at the Pekin Theatre but was forced to return to school.

At age sixteen, Ada left school and began singing in vaudeville with Miller and Lyles. Later she toured the Theatre Owners' Booking Association and Pantage vaudeville circuits with McCabe's Georgia Troubadours, Ten Georgia Campers, the Kinky-Doo Trio, and the Oma Crosby Trio. The following year, in New York City, Ada met Barron Wilkins, the owner of Barron's Exclusive Club in Harlem; he nicknamed her "Bricktop" because of her flame-red hair. Later that year she performed at Roy Jones' saloon in Chicago and met the boxer Jack Johnson, for whom she worked at the Cabaret de Champion until it closed in 1912. Over the following years, she appeared in many saloons, including the Panama Club, where she, Florence Mills, and Cora Green were known as the Panama Trio.

In 1917 Bricktop left the trio and went to Los Angeles. While working at the Watts Country Club she met Walter Delaney. They lived together until Delaney's history of arrests for selling drugs, gambling, and promoting prostitution forced them to move to San Francisco during a crackdown on vice in Los Angeles. Rather than drag her down with him, Delaney left Bricktop in San Francisco. She later moved to Seattle.

In 1922 Bricktop convinced Barron Wilkins to hire Elmer Snowden's Washingtonians, with pianist Duke Ellington, for his New York City Club. In 1924 she performed at the Cafe Le Grand Duc in Paris. One of her first acquaintances there was a busboy and struggling author named Langston Hughes. Visitors to Le Grand Duc included Zelda and F. Scott Fitzgerald, Fred Astaire, Ernest Hemingway, Man Ray, Pablo Picasso, John Steinbeck, Josephine Baker, Elsa Maxwell, and Cole and Linda Porter. In 1925 Bricktop taught the Charleston at the Porters' lavish Charleston parties, and they introduced her to the Paris elite. In the fall of 1926, after returning from the Porters' palazzo in Venice, Bricktop opened the Music Box saloon in Paris. It closed the same year, and she then took over Le Grand Duc. Wanting a more chic place, before the end of 1926 she opened Bricktop's, where guests such as Jascha Heifetz, Duke Ellington, Noel Coward, the Prince of Wales, and Paul Robeson, gave impromptu performances.

In 1927 Bricktop met saxophonist Peter Duconge. They were married on December 19. 1929 and separated in 1933 but never divorced; they had no children. In 1931 Bricktop opened a bigger cafe, also named Bricktop's, with Mabel Mercer as her assistant. Following the custom of Montmartre cafes, Bricktop's closed for the summer; she opened another cafe during the summer in the resort of Biarritz. In 1934, the effects of the Great Depression forced her to move her cafe to a smaller location. By the fall of 1936 she could not afford to open for the season, so she and Mercer entertained at nightspots in Paris and Cannes.

From 1938 to 1939 Bricktop did radio broadcasts for the French government. In October 1939, at the insistence of the Duchess of Windsor and Lady Elsie de Wolfe Mendl, she fled the advancing war and returned to the United States, where she was reintroduced to American racial prejudice and segregation absent from her life in Paris. In New York City she worked at many cafes and attracted refugees from Paris. In 1940, when her following moved on, Bricktop helped open the Brittwood Cafe on 140th Street in Harlem. At first it was a success, drawing such celebrities and entertainers as Earl "Fatha" Hines, Anna Jones, Willie Grant, Minnie Hilton, and Robert Taylor. In 1943 Bricktop moved to Mexico City, where she lived for six years and was part owner of the Minuit and Chavez's clubs.

In 1949 Bricktop returned to Paris, and in May 1950 she opened a new Bricktop's on the Rue Fontaine. By Christmas it was closed. She then went to Rome, where in 1951 she opened Bricktop's on the Via Veneto, drawing Italian high society and royalty. While in Italy, Bricktop, who had converted to Catholicism in 1943, was involved with Catholic charity and fund-raising projects and became a friend of Bishop Fulton J. Sheen.

On March 6, 1964 Bricktop announced her retirement from the nightclub business because of poor health--she had arthritis and a heart condition. She returned to Chicago in 1965 to live with her sister Blonzetta. After Blonzetta's death in 1967, Bricktop settled in New York City. In 1972 she made her only recording, "So Long, Baby," with Cy Coleman. She also worked with Josephine Baker, a longtime friend, who was attempting a comeback, in 1973. In the same year Bricktop made the film documentary Honeybaby, Honeybaby! In 1975 she was awarded an honorary doctor of arts degree by Columbia College in Chicago. She continued to perform, but made few appearances after 1979 because of declining health. In 1983, on her last birthday, she was presented with the seal of New York City and a certificate of appreciation by Mayor Ed Koch. Just a few months later Bricktop died in her sleep at her Manhattan apartment. More than 300 people attended her funeral at St. Malachy's Church in Manhattan. She was buried at Woodlawn Cemetery in the Bronx.

A00030 - Josephine Baker, Paris Noir Diva

Josephine Baker, original name Freda Josephine McDonald   (b. June 3, 1906, St. Louis, Missouri — d. April 12, 1975, Paris, France) was an American-born French dancer and singer who symbolized the beauty and vitality of black American culture, which took Paris by storm in the 1920s.

Baker grew up fatherless and in poverty. Between the ages of 8 and 10 she was out of school, helping to support her family. As a child, Baker developed a taste for the flamboyant that was later to make her famous. As an adolescent, she became a dancer, touring at 16 with a dance troupe from Philadelphia. In 1923 she joined the chorus in a road company performing the musical comedy Shuffle Along and then moved to New York City, where she advanced steadily through the show Chocolate Dandies on Broadway and the floor show of the Plantation Club.

In 1925 she went to Paris to dance at the Théâtre des Champs-Élysées in La Revue Nègre and introduced her danse sauvage to France. She went on to become one of the most popular music-hall entertainers in France and achieved star billing at the Folies-Bergere, where she created a sensation by dancing semi-nude in a G-string ornamented with bananas. She became a French citizen in 1937. She sang professionally for the first time in 1930, made her screen debut as a singer four years later, and made several more films before World War II curtailed her career.

During the German occupation of France, Baker worked with the Red Cross and the Resistance, and as a member of the Free French forces she entertained troops in Africa and the Middle East. She was later awarded the Croix de Guerre and the Legion of Honour. with the rosette of the Résistance. After the war much of her energy was devoted to Les Milandes, her estate in southwestern France, from which she began in 1950 to adopt babies of all nationalities in the cause of what she defined as “an experiment in brotherhood” and her “rainbow tribe.” She retired from the stage in 1956, but to maintain Les Milandes she was later obliged to return, starring in Paris in 1959. She traveled several times to the United States to participate in civil rights demonstrations. In 1968 her estate was sold to satisfy accumulated debt. She continued to perform occasionally until her death in 1975, during the celebration of the 50th anniversary of her Paris debut.

A00029 - Hemsley Winfield, Founder of the New Negro Art Theater Dance Group

Hemsley Winfield (April 20, 1907 – January 15, 1934) was an African-American dancer who created the New Negro Art Theater Dance Group.

He was born Osborne Hemsley Winfield to a middle-class, African-American family in Yonkers, New York. Winfield struggled in Yonkers as jobs available to African-Americans remained menial. Contrary to the natural inclination of the residents of Yonkers at that time, Winfield pursued a career in the Arts, developing a strong background as an actor, director, stage technician, dancer and eventually a choreographer. With combination of Winfield's middle-class ambition as well as the growing cultural movement of the African-Americans at that time, Winfield was able to achieve acclaim by the Art world. Winfield first won his fame in the leading role of Oscar Wilde's Salome,  which he won acclaim to in 1929. Winfield came upon the role as Salome when the female lead of the company fell ill, causing Winfield to dress in drag as the show was staged at the Cherry Lane Theater in Greenwich Village, New York. Winfield, during this time, continued to attend concerts by the great trailblazers of modern dance, who later served as an influence and sponsor for his choreographic work.

As part of the “Little Theater movement” Winfield started and directed the Sekondi Players of Yonkers in 1925.  Taking words from the Negro’s African heritage Sekondi is the name of a city that is located on the south west coast of Ghana. In November of 1927 Winfield and the Sekondi Players were performing a children’s play, The Princess and the Cat, written by his mother, Jeroline Hemsley Winfield. This inaugural opening of children’s plays was under his direction of The New Negro Art Theater. This is the first reference to the New Negro Art Theater group that Winfield directed during the rest of his acting and dance career. On March 6, 1931, at the Saunders Trade School the dance company gave its first performance. Winfield served as the head organizer and director of the company. The first name of the dance company was The Bronze Ballet Plastique, which lasted only one performance. Edna Guy was trained by Ruth St. Denis of the Denis-Shawn School of Dance, and performed as a guest in at least two of Winfield's concerts which soon grew to draw massive crowds. Edna Guy was never a member of the New Negro Art Theater Dance Group, the leading female dancers of the company were Ollie Burgoyne, Drusela Drew, and Midgie Lane. Winfield's choreographic work during this time fused uniquely German Expressionism with African-American themes and spirituals. 

In 1933, the company appeared in the premier of Louis Gruenberg's opera The Emperor Jones at the Metropolitan Opera in New York City. Winfield took on the role of the Congo witch doctor in the piece. His first performance as the Witch Doctor was listed as January 7, 1933 and his last performance was March 18, 1933 Winfield also danced the role of the Witch Doctor in the performances in Philadelphia and Baltimore that year. Controversy around the work resulted from the Met's original request to blacken White dancers' faces rather than use Black dancers, but Tibbett threatened to quit, and the Met relented. His final performance of the 1933 season was reviewed as “a thrilling exhibition of savage dancing” and “his sinister and frantic caperings as the Witch Doctor made even the most sluggish, opera-infected blood run cold.”

On January 15, 1934, Hemsley Winfield died of pneumonia shortly before his 27th birthday, leaving with the final words, "We're building a foundation that will make people take black dance seriously". Hemsley Winfield was considered “the pioneer in Negro concert dancing."

Winfield choreographed and performed with his own company in the Metropolitan Opera's production of Louis Gruenberg's The Emperor Jones. This was a one-time exception to the rules - management did not list the dancers in the program.  The next African American dancer would not appear with the company until 1951. Winfield's mother was a playwright, and he made his debut in one of her plays, Wade in the Water (1926).  He became a dancer and a pioneer in African American concert dance, organizing the Negro Art Theater Dance Group. This group gave its first concert on April 29, 1931, and appeared in Hall Johnson's Run Little Chillun in 1933. 

A00028 - Everett Parker, Won Landmark Case Over Media Racial Bias

Everett Carlton Parker (b. January 17, 1913, Chicago, Illinois – September 17, 2015, White Plains, New York) was a media activist and reverend.

Born in Chicago, Illinois, Parker attended the University of Chicago. Upon graduation in 1935, he spent a year with the Works Progress Administration, then another with the radio station WJBW. After returning to his hometown for a job as an advertiser, Parker enrolled at the Chicago Theological Seminary, earning a doctorate in 1943. He re-entered the media world with a stint at NBC in New York, then taught a Yale Divinity School from 1945 to 1957. He was the Director of the Office of Communication of the United Church of Christ from 1954 to 1983.

He filed a successful petition to deny licensing renewal of television station WLBT in Jackson, Mississippi in the 1960s. The station had a poor record with regards to civil rights for African Americans. 

A00027 - Bill Pickett, Rodeo and Wild West Performer

Bill Pickett,  (b. December 5, 1870?, Williamson County, Texas — d. April 2, 1932, Tulsa, Oklahoma), American rodeo cowboy who introduced bulldogging, a modern rodeo event that involves wrestling a running steer to the ground.

Pickett was descended from American Indians (Cherokees) and African American slaves in the Southwest. He grew up in West Texas, learning to ride and rope as a boy, and became a ranch hand; he performed simple trick rides in town on the weekends. In 1900, he became a showman, sponsored by Lee Moore, a Texas rodeo entrepreneur. In 1907, Pickett signed with the 101 Ranch Wild West Show, becoming one of its star performers and assuming the status of a legendary figure for his masterful handling of both wild and domestic animals. For bulldogging, or steer wrestling, he perfected a technique of jumping from his horse, grabbing the steer around the neck or horns, sinking his teeth into the animal’s lip, and pulling it to the ground. Pickett’s most-grueling performance came in 1908 in a bullring in Mexico City. He there wrestled and rode a Mexican fighting bull for seven minutes before a riotous audience enraged at this original interpretation of the Mexican national pastime of bullfighting.

Pickett performed until about 1916, working as a cowhand and rancher thereafter. He later appeared in the silent films The Bull-Dogger (1921) and The Crimson Skull (1922). He died after being kicked by a horse in April 1932.